Posts Tagged ‘ Dance Music

The Bondcast Episode 015

A little bit of Disco House with new tunes makes this a fun Podcast to listen. Enjoy the following tracks

1.) Off (Original Mix)
By Ministry Of Funk

2.) Way Back (Clubzound Remix)
By Ministry Of Funk

3.) Where Do You Go (Alex Kenji Remix)
By Francesco Diaz Feat Michael Feiner

4.) Pumped Up Kicks
By Foster The People

5.) Does It Feel Goog 2011 (Dj Flight Tribute To Disco Mix)
By Bt Express

6.) Gyngo (Slicerboys Remix)
By Andrew M, Peter K

7.) I Want A Freak (Original Mix)
By Trent Cantrelle

8.) Finally (Sandy Rivera & Simon Mattson’s 2011 Remix)
By Kings Of Tomorrow

9.) Burning (Round Table Knights Remix)
By Mk

10.) Granulated Soul (Original Mix)
By Oliver $

11.) Amame (Long Ass Mix)
By Intruder (A Murk Production) Feat. Jei

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The Bondcast Episode 014 (Defected Records Top 10 of 2011)

We are dedicating this podcast to the incredible Defected Records, true pioneers of House Music. After reading the “Most Rated Track of 2011″ article we decided that after playing their music all year we would do a podcast with their top 10 of 2011.

We hope you enjoy the show.

Track List.

1. Noir, Haze – Around (Solomun Vox Remix)
2. Kings Of Tomorrow feat. April – I Need To Love Me (Sandy Rivera’s Club Mix)
3. Human Life – In It Together (Director’s Cut Signature Togetherness)
4. Soul Cartel – Marimba (Original Mix)
5. The Shapeshifters & C-Dock – Nothing But Love For You (Original Mix)
6. Roy Davis Jr featuring J.Noize and Kaye Fox – Enjoy The Ride (James Talk & Ridney Remix)
7. Ray Foxx – La Musica (The Trumpeter)
8. Roul & Doors, Michael Mendoza – Trinidad (Original Mix)
9. Copyright feat. Imaani – Story Of My Life (DJ Chus & David Penn Remix)
10. Copyright Feat. Shovel- Kama Yeah (Roul & Doors Remix)

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The Bondcast Episode 013

This new episode marks the last quarter of the year. Some great tracks I’ve been playing and some i have been testing.

We are starting to host our podcast on our webpage and want to inform all of our subscribers that better quality podcasts are going to be posted. We apologize for any inconvenience during this change. We hope that you understand and enjoy the Bondcast.

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The Bondcast Episode 012

Hello Everybody!!!!

Here’s what I’m playing. Great songs by some of the most influential Djs and producers that will make you dance no matter where you are. Song from the top Record Labels in the industry bringing you all 2011 summer classics.

Thank you for your support.

Follow us on twitter

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Or just go to our webpage for all your House Music news

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The Bondcast Episode 011

SUMMER IS HERE!

Here’s what I’m playing this summer. Great songs by some of the most influential Djs and producers that will make you dance no matter where you are.

Thank you for your support.

Follow us on twitter
www.twitter.com/bondingelements
www.twitter.com/therealdjbond

Or just go to our webpage for all your House Music news

www.bondingelements.com

The BondCast Episode 12

Erick Morillo Talks Voodoo

Erick Morillo is in the ascendancy. Not only is he one of the world’s most recognisable and successful DJs, he also heads up one of the most renowned labels the industry has seen in Subliminal and holds a weekly residency at Pacha during the summer. It’s not luck that’s got him to this enviable position; Morillo has grafted longer and hard than pretty much anyone else and while he’s reached near unparalleled levels of success his passion for the music has never been greater.

We caught up with him ahead of the ’10 season to talk future stars, witchcraft and why the hunger is still as powerful as it’s ever been…

Do you still think you have the same hunger for dance music now as when you first started?

I think that yes, I still have the same hunger, and I actually think that the hunger has gotten deeper and I feel now I can do anything. It’s a fun hunger as in the past I didn’t know how I was going to do certain things, and now I know what I’m doing and I’ve surrounded myself with great people. This collaboration with Defected and Strictly Rhythm has elevated my game to another level and I feel like if anyone has seen me at any of my gigs, they see me and the love and passion I have. I’m dancing, sweating and everything so yeah, I still do have that hunger and it’s grown.

Do you think you are as obsessed about having whatever is the newest thing now as you were then?

I’m definitely keen on staying at the top, and that has to encompass all the new music, all the new guys coming up and keeping my eye on what the new trends are musically, DJ wise, and so on. So I still have that passion to be at the top.

Do you ever look for new artists or is it all sewn up with people you have already spotted?

People send me demos, but I’m not as on top of my demos as I’d like to be, but I do listen, I’m always looking. I look for quality, if someone wants to send me a track, I’m very accessible. We do look for new things and new records from people, it’s just about having that quality of being a little sexy, a little dirty and housey for sure!

What new guys are you bringing out at the moment?

Some of the new guys we are championing right now, there is a guy called Antranig who people may not recognise but he has worked with Danny Tenaglia for many years. He did a couple of records for us a couple of years back, went on a hiatus and now he’s back with a vengeance. We just released a records on Subliminal, called ‘Whores’ which has really caught on, people are really responding. Now he’s going be doing this Sondos compilation this summer as well as releasing a couple of singles. Another one that I really love is Lee Kalt. He’s a DJ from New York who released a record called ‘Special K’ which was released about a year and a half ago. He now has 13 tracks which he showed me, they are unbelievable. So there will be a Lee Kalt record out this summer and one out later this year. Richard Grey is someone I’ve been working with for a while now, he handed me an artist album. We are going to be releasing a couple of singles, the first one being ‘Bang’ which is a collaboration he did with Robin S. So Richard Grey will be one of the stars doing the Subliminal thing. I’m really excited about these new guys who are doing it for us.

Tell me about your new release with Eddie Thoneick then?

I’ve known Eddie and his productions for a couple of years now, and we got in touch late last year to discuss doing a collaboration. We started doing this record, we got Shawnee Taylor on vocals, and we ended up finishing this ‘Live Your Life’ record which is going to be released in June. It worked so well that we decided to do another record together featuring Shena, which will be out in May, called ‘Nothing Better’ another record I’m excited about. Now we have a great relationship, I feel it’s working. It’s very easy to work with him, he’s a very talented person and we are going to have him this summer playing in Ibiza at Pacha and I envision doing a lot more projects with him.

Ok, let’s go on to talking about Subliminal sessions at Pacha, Ibiza.

Absolutely! I think this is going to be our ninth year? Maybe 10, I’m not how many years we’ve been doing it for! This year’s theme at Pacha is ‘Voodoo Nights’. I plan on being the resident witch doctor and playing from June to September and other medicine men this year include Richard Grey, Eddie Thoneick, Dirty South, Steve Angello, M.A.N.D.Y. also Little Louie Vega which I’m really excited about. I’m also looking forward to bringing in Fake Blood and A-TRAK. So I’m really excited, the theme is very sexy, and also shamanistic with fire eating and crazy rituals. It’s going to be fun, so come one come all; it’s going to be a great summer.

How are you going to raise the bar this year from last year? Because it gets tougher every year to do that perfect party. Is there anything you are doing differently this year than you did last year?

We started planning what we are going to do a lot earlier, we got the theme and photo shoot done, so we nailed this concept. In the photo shoot, I’m the witch doctor and the girls are like my sacrifice, if you will! We got 3 hot Brazilian models, with legs up to their necks! It’s about fun, people come to my parties because they love the energy, the fun we create. With this theme, it’s very easy to get lost in the Voodoo world! We’re dressing the club up for a night of voodoo so be prepared to be under my spell.

So let’s talk about your Subliminal Sessions album. How are you feeling about it?

Well this year’s compilation is called ‘Voodoo Nights’. It’ll have my new single ‘Live Your Life’ as well as Jose Nunez who’s coming back with a vengeance. We’ve got this track called ‘Dance Again’. One of my favourite tracks of the moment, which really blew up in Miami and you can’t get away from it Mr Dennis Ferrer ‘Hey Hey’. We also have some exclusives. We have a Cevin Fisher record called ‘We Are The Lucky Ones’ and it’s going to be released on Sondos at the end of July. There’s also a remix of Danny Tenaglia’s classic ‘Underground’ which is on the album. It’s a very sexy sexy album, there’s going to be a lot of vocals, tribal and drummy stuff.

What one track of yours would be your first choice that’s going to smash the Ibiza dance floors?

It’s hard, I know that my record ‘Live Your Life’ is going to be a big record for me this summer, I think that’s really going to take off. I also like the Dennis Ferrer ‘Hey Hey’. I think that will last all summer long. There’s a record on A-Trak’s label called ‘Babylon’ which is pretty amazing! Steve Angello did an edit and I really love that. I think those records will be big. I think the Jose Nunez ‘Dance Again’ will be big for me! I love that in dance music right now, there’s so much great music out there. As a DJ it’s a joy, as every night I can change my sets as there is so much stuff! So much quality out there, it’s going to be a great summer for me.

What other places are you playing this summer? Other big festivals, any other big international dates?

I’m a pretty lucky guy, I get to pick and choose where I play. Here in England, I’m doing SW4 in London in August, so I’m really excited about that. I’m all over the place again this summer; Bosnia, Mykonos, Cannes, Portugal, NYC, The Hamptons. You name it and I’ll most probably be there this season. I’m lucky I can pick and choose where I play, you can see my schedule at my website which is phenomenal.

Source: Defected Records

Dance Music Grooves to the Fore

A scene that started in illegal warehouse parties in the ’90s is taking over airwaves, stadiums and public parks this summer.

May 30, 2010|By Randall Roberts, Los Angeles Times

On a recent afternoon, Gary Richards was standing in his Hollywood office in front of a detailed map of the Los Angeles State Historic Park, the 36-acre plot just east of Chinatown. Richards, who has promoted dozens of gatherings under the moniker Hard Events, is planning his first parties on public land, and, as he’s learned by now, a new venue requires extra attention.

FOR THE RECORD: An article in Sunday’s Calendar section about the summer’s dance music events said that the Electric Daisy Carnival and Love Festival would take place at the Los Angeles Coliseum. Both will take place at Exposition Park & Memorial Coliseum.

Where will the thousands enter? How much electricity will be needed? Through which hidden corners will the gate-crashers try to sneak?

He pointed to a rendering of the main stage grounds, where, on the first of two summer dates he has slated for the site, on July 17, superstar singer/rapper M.I.A. will perform as part of an event called Hard LA. “This holds about 20,000 people,” he said, “and right here is the second stage, which holds about 7,000 people.”

Since he started promoting dance music events after 15 years spent in the record business, Richards, 39, has booked shows at, among others, the Hollywood Palladium, the Orion Theatre and the Shrine. But as the masses flock to the dance floor in increasing numbers, he and other promoters are looking for bigger venues to contain the crowds, and are expanding beyond Southern California. Hard Events has done events in L.A., New York, Miami and San Francisco.

Last year, over two days, Insomniac Events’ party Electric Daisy Carnival, now in its 14th year, drew a reported 135,000 people to the Los Angeles Coliseum for a rave that featured carnival rides, a sculpture park and dozens of the world’s most popular DJs. This summer’s installment, which takes place on June 25 and June 26 at the Coliseum, promises to be just as big, and will feature, among others, Moby, MSTRKRFT, Steve Aoki, Deadmau5 and Z-Trip. Another annual rave, the Love Festival, will take over the Coliseum on Aug. 21.

While Coachella, Bonnaroo and other massive rock and pop festivals have higher public profiles, the electronic dance music scene has been exploding. Fueled by a roster of parties and an inclusive philosophy that absorbs the sounds of rock, hip hop and pop music and transforms them via remixes into beat-heavy dance floor fodder, electronic dance music is virtually inescapable this summer.

Source: LA Times

European dance DJs break America

Dance music summit in Ibiza hears how DJs such as David Guetta are breaking the mould of US pop, collaborating with the likes of Will.i.am, Kelly Rowland and Britney Spears.

Alexandra Topping
guardian.co.uk, Monday 31 May 2010 15.26 BS

At the legendary Pacha nightclub in Ibiza, a group of four girls stalk past security wearing hotpants, vertiginous heels and T-shirts emblazoned with the name of the night: F*** Me I’m Famous. Like the thousands of others who have flocked to the club for the opening night of the party season, they have come to worship at the altar of superstar DJ David Guetta, who will play every Thursday until the end of the summer.

Dance music professionals, gathered in Ibiza for the International Music Summit (IMS) dance music conference, were as keen as the fans to pay homage to the Frenchman whose work has not only put a face to electronic music but has woken America to the dance scene.

“What has happened with David Guetta has totally transformed the landscape and has elevated dance music culture to it’s highest point in 20 years,” said Ben Turner, co-founder of IMS.

“We have been trying to break down the barriers of North America for so long, and now doors are opening on every level.”

Guetta is in the vanguard of a new wave of European DJs and producers who are working with the biggest acts in the US, influencing a sound that originated on those shores.

He has collaborated with urban music behemoths from Will.i.am of the Black Eyed Peas to Kelly Rowland, Akon and Kelis, and produced the top-selling digital track in history, I Gotta Feeling.

Now others are breaking the mould. Dutch DJ and producer Tiesto, joined by English-Canadian DJ Richie Hawtin, aka Plastikman, and big-name Canadian DJ Deadmau5, headlined the Coachella festival in the US this year, while Lady Gaga has made pop dance music ubiquitous on commercial radio.

Dubstep, traditionally a British dance scene, is also making waves over the pond. After collaborating with British singer and rapper MIA, Yorkshire-born dubstep producer Rusko was recently chosen by Britney Spears to produce tracks on her new album. Dance music has been promoted to the main rooms of many clubs, and has become the sound of cities such as Las Vegas, where DJ Paul Oakenfold recently had a club built for his residency at the Palms Hotel, according to veteran DJ Pete Tong. “Guetta has fanned the flames of something that has been growing steadily through the noughties,” he added.

Festivals

The shift was brought on by a younger generation of dance music fans, traditionally excluded from the big clubs of New York and Chicago but embracing increasingly popular electronic music festivals including Electric Zoo in New York, and Electric Daisy Carnival in southern California which attracted 135,000 people last year.

“You have to be over 21 to go to a club but not to go to a festival. The under-21 scene is a huge phenomenon and that has given this new wave of dance music a real foundation,” said Tong.

Speaking to the Guardian at the IMS, Guetta said dance music was rediscovering its roots in the US. “House music and techno were born in the US. England made it trendy and even put it into pop, but it all started in the States.” The mainstream American press has been part of the problem, he said. “Dance music was for kids on drugs or gay guys. With the high tempo it was not the right format for radio and they said it would never work.”

That has changed and the next five to 10 years are going to be huge for dance music, he said. “We have to admit it, American artists, they’re good … They are going to make dance music their own, and then they are going to see it with a different perspective. It’s going to be very inspiring for us and is going to make the whole thing even bigger.”

Guetta’s collaboration with Will.i.am, often considered to be a turning point in America’s relationship with dance music, might never have blossomed had it not been for one of dance music’s secret weapons: an abundance of attractive female fans.

When Will.i.am went to a Guetta night in Ibiza, he came over to the DJ and the pair started jamming. Guetta later asked why he had come over. “He said: ‘All those hot girls were around the DJ booth, so I say I have to go to the DJ booth.’”

Commercialisation

Guetta brushes away accusations that the new wave of dance music is too commercial. “Dance music is the only genre, until now, where being successful is a bad thing. It puts someone on top and then slaughters them,” he said.

“There is always going to be an underground scene and it’s really exciting. But what makes us strong is that there is some big names, some underground names, and the fact that we are all together makes the whole thing big.”

He added: “I have said this many times: I am not trying to be credible, I am trying to be incredible.”

But some do worry that the boom in dance music in the US could threaten the authenticity of the scene, according to Ben Murphy, editor of DJ Magazine.

“In some ways it’s a double-edged sword. It’s exciting initially but could easily be used and abused. Some shockingly commercial efforts are going to give people the wrong idea about dance music in the States but hopefully people will also be exposed to the good side.”

The industry professionals gathered in Ibiza were determined to avoid the over-commercialisation of the scene, according to Turner.

“Dance music exploded in the 90s and then spectacularly imploded – people did crazy deals. We are in an amazing moment but we have to make sure we keep dance music in a good place and don’t seize on the wrong opportunities.”

Source: guardian.co.uk